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Synopsis: Honorable Mention in the Best Edited Historical Book category of the 2004 Golden Light Awards Photographic Book of the Year competition sponsored by the Maine Photographic Workshops
Jaroslav Rossler (1902-1990) was one of the Czech avant-garde photographers of the first half of the twentieth century whose work has only recently become known outside Eastern Europe. Czech photography in the twenties and thirties produced radical modernist works that incorporated principles of abstract art and constructivism; Jaroslav Rossler was one of the most important and distinctive artists of the period. He became known for his fusing of different styles, bringing together elements of symbolism, pictorialism, expressionism, cubism, futurism, constructivism, new objectivity, and abstract art. His photographs often reduced images to elementary lines and shapes that seemed to form a new reality; he would photograph simple objects against a stark background of black and white, or use long exposures to picture hazy cones and spheres of light. From 1927 to 1935 he lived and worked in Paris, producing work influenced by constructivism and new objectivity. He used the photographic techniques and compositional approaches of the avant-garde, including photograms, large details, diagonal composition, photomontage, and double exposures, and experimented with color advertising photographs and still lifes produced with the carbro print process. After his return to Prague, he was relatively inactive until the late 1950s, when he reconnected with Czech artistic and photographic trends of that period, including informalism.
This book documents each stage of Rossler's career with a generous selection of duotone images, some of which have never been published before. The photographs are accompanied by texts by Vladimir Birgus, Jan Mlcoch, Robert Silverio, Karel Srp, and Matthew Witkovsky.
About the Author: Vladimir Birgus is Professor at the Academy of Performing Arts in Prague and Head of the Institute of Creative Photography at Silesian University in Opava. He is the author of numerous books on Czech and European photography, including Photographer Frantisek Drtikol, Czech Photography of the 1990s, and The Nude in Czech Photography.
Title: Jaroslav Rossler: Czech Avant-Garde ...
Publisher: Mit Pr
Publication Date: 2004
Binding: Hardcover
Condition: new
Book Description Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. First English Language Edition. Jacket has minor ding to rear and light general wear. No tears. Book very clean. Binding tight. 163pp Size: 225mm x 280mm. Book. Seller Inventory # 012243
Book Description Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Black cloth, quarto. 45 pages of text with text photos, followed by photographs, collages and drawings. Illustrated in color and black and white. Fine copy in a fine dust jacket in a mylar protector. Seller Inventory # 090329
Book Description Condition: very good. Cambridge, MA : The MIT Press, 2004. Hardcover. No dustjacket. 164 pp.- Jaroslav Rossler (1902-1990) was one of the Czech avant-garde photographers of the first half of the twentieth century whose work has only recently become known outside Eastern Europe. Czech photography in the twenties and thirties produced radical modernist works that incorporated principles of abstract art and constructivism; Jaroslav Rossler was one of the most important and distinctive artists of the period. He became known for his fusing of different styles, bringing together elements of symbolism, pictorialism, expressionism, cubism, futurism, constructivism, new objectivity, and abstract art. His photographs often reduced images to elementary lines and shapes that seemed to form a new reality; he would photograph simple objects against a stark background of black and white, or use long exposures to picture hazy cones and spheres of light. From 1927 to 1935 he lived and worked in Paris, producing work influenced by constructivism and new objectivity. He used the photographic techniques and compositional approaches of the avant-garde, including photograms, large details, diagonal composition, photomontage, and double exposures, and experimented with color advertising photographs and still lifes produced with the carbro print process. After his return to Prague, he was relatively inactive until the late 1950s, when he reconnected with Czech artistic and photographic trends of that period, including informalism.English text. Condition : very good. Condition : very good copy. ISBN 9780262025577. Keywords : PHOTOGRAPHY, Seller Inventory # 46092